Category: Moving Image Art
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With Bardo Loops, Gabriel Abrantes’ signature anthropomorphism is as emotional and ingenious as ever. Throughout his filmic oeuvre, multimedia artist Gabriel Abrantes has consistently returned to and nurtured an approach to exploring human emotions through non-human characters. The most famous example is The Artificial Humors (2016), a tidy answer to the common question “what if…
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The group show that transports viewers back to the months before the 2008 crash hesitates to leave the political and economic decline of the present behind—making it an art show for our times. Like a modern One Direction for the art world, ICA bring together recent works and new commissions from Jenna Bliss, Buck Ellison…
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With ‘Narrative Warfare’, Jordan Lord reclaims the ‘tell, don’t show’ rhetorical approach as a tool for resistance against fair-right domination of the image economy. In the tradition of documentary, we cannot categorise Jordan Lord’s latest film, Concealed and Denied. This isn’t only because it deals with the rapidly evolving culture of social media politics, or…
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With this crazed symphony, James Richards brings together four years of works to create a hallucinatory experience for the hysteria of our times. The umbrella name given to the three distinct chapters of James Richards’ latest work at Sylvia Kouvali is perhaps the best way to describe the feeling that flows between the varying images.…
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Despite its far-reaching geographical and historical subject, the themes of home and belonging make the eponymous “ground” unmistakably East London, the area in which it rightfully won awards last year. It should come as no surprise that The Ground Beneath Me, a project consisting of the filmic work Legacy of a Heart’s Injury (2026–) and…
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By breaking down and re-constituting spectators’ movement through her moving-image works, Melanie Manchot re-defines the social spaces that have historically excluded women. Off the back of her first feature film, STEPHEN, premiering at Liverpool Biennal 2023, In Darkness and Light contextualises Manchot’s video practice with contemporaneous works that chart the German photographer’s skills in moving…
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Rivers’ filmic trialogue presents a dystopia of language and representation, flickering ceaselessly between reverent and polemical. The pre-fab screening room that takes up the majority of Kate McGarry limits light ascetically. The black-and-white film doesn’t offer a lot of light to reflect off the mostly black interior. The only source of light, fitted in a…
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Ain Bailey presents an exemplary demonstration of cultural reception and memory with The Jamaica Project. The centrepiece of Ain Bailey’s The Jamaica Project, a new iPhone-shot travelogue of her trip to Jamaica, 5C Jacques Road: Part One, plays on vast, floating screen; with the crowds that surround it on opening night, it feels like discovering…
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Goldmiths CCA pieces together a the radical history of Paper Tiger Television in a recent retrospective on the collective. I am someone who enjoys nothing more than returning home after a long day at work, sinking into my sofa, and letting the soft, hazy glow of whatever trash TV show I’m currently consumed by occupy…
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For his 15th show at the historic venue, Lisson Gallery exhibit a selection of arborous works by the late Canadian artist Rodney Graham. From camera-obscura works, to painting, conceptual sculpture and video, the multi-media exhibition captures a groundbreaking artist’s time in history as well as nature. The main gallery of Lisson’s Bell Street location, which…
